S'up guys. I was just forwarded some music videos by a band called 'They Might be Giants', who've done some stuff for kids that's just brilliant. It doesn't treat kids like drooling idiots, which I like.
Friday, 2 March 2012
Sunday, 26 February 2012
I No Longer Have a Beard!
Oh, and here's a little animation I did before joining the course. Back when I had Adobe Premiere Pro CS4. I miss Adobe Preimere Pro. ;~;
Oh and while I'm sharing old things.
Thursday, 23 February 2012
Maya Fun
I've been having a bit of a play with Maya. =3
Brakk, the blue guy in the middle, was created from scratch by myself and rigged using a script by Anthony J Smith.
Richie on the far right is a modified rig. The original is called 'Andy Rig' and was created by John Doublestein.
Also, UFO.
Also, UFO.
Labels:
Maya
Thursday, 16 February 2012
Aesop's Tales by Hooplakidz
Whilst looking for cut-out animations for kids and trying to get more in touch with the preschool age for my pivoted preschooler animation., I came across this animation by Hooplakidz.
So apparently, its important to teach kids to be suspicious of their sick, dying elders.
Thanks, TV! Another great life lesson taught expertly.
So apparently, its important to teach kids to be suspicious of their sick, dying elders.
Thanks, TV! Another great life lesson taught expertly.
Labels:
Applied Timing for Animation
Saturday, 11 February 2012
Pivot Pitch
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| Blockades on the way home |
Three young children stumble upon a world where fantasy rules and reality isn't what it seems. They're trapped there and their only way back is by solving riddles. The riddles would be simple and designed to teach preschoolers the properties of various objects. One riddle I thought up involved a troll blocking the path and requesting lemons in return for safe passage. Another is a keyhole that doesn't accept keys but the object riddled on the nearby sign.
The characters are designed to be simple and easy for kids to relate to.
I also sketched up some possible backgrounds to use. I thought a nice watercolour look would be appealing, made to look like something that could be found in a children's book.
Labels:
Applied Timing for Animation,
Concept Art
Friday, 10 February 2012
Pivot Pitch 2
Some turnarounds for characters designed for the 2D Pivoted animation I'm working on. Remmo, D-Growl and Sam are three orphaned animals trying to make sense of the world. They write songs based on their discoveries. This is an idea I think I'll be holding on to. So yeah, character art!
I've also had some vague ideas for songs that the characters could perform, as seen in the concept art and a vague storyboard.
One of my younger friends, aged fifteen, enjoyed the rhyme about meeting the queen (to the right) but another friend (nineteen) found it to be unwitty and ultimately dire. I have to wonder how a member of the key demographic would react. Alas, my collection of child slaves were released by the oppressive EU government last week.
The same nineteen-year-old friend improvised a skit based on the characters, which I found entertaining but ultimately unsuitable due to its heavy political agenda. That can be heard here.
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| D.Growl is a little dopey but a great guitarist. |
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| Remmo is suave, cool and a master at the drums. |
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| Sam is the latest edition to the team and enjoys dancing and providing vocals. |
I've also had some vague ideas for songs that the characters could perform, as seen in the concept art and a vague storyboard.
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| Concept art |
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| A Storyboarded Rhyme |
One of my younger friends, aged fifteen, enjoyed the rhyme about meeting the queen (to the right) but another friend (nineteen) found it to be unwitty and ultimately dire. I have to wonder how a member of the key demographic would react. Alas, my collection of child slaves were released by the oppressive EU government last week.
The same nineteen-year-old friend improvised a skit based on the characters, which I found entertaining but ultimately unsuitable due to its heavy political agenda. That can be heard here.
Labels:
Applied Timing for Animation,
Concept Art
Monday, 30 January 2012
Idea Dump
Just dumping some ideas for my 2D cut-out animation for kids thing...
Educational musical and comedic pieces. inspiration; animaniacs, seaseme street
Identifying shapes and colours - a simple game, Dora the Explorer style
Young friends/siblings go off on an adventure in a world where literacy is the key to everything - with riddles, puns and puzzles that the viewers can try to solve. Inspiration; through the dragon's eye
Labels:
Applied Timing for Animation
Pose References
I happened across a great resource for pose references. It shows the muscles under the skin and stuff so it looks really useful. I'll share it now before ACTA passes and I become eligble for arrest for conspiracy to commit piracy or some such bullshit. ----> Pose Maniacs
Labels:
Life Drawing
Maya Rig Exercises
The rig was created for us and we had to make it do jumping jacks and an "arm flop."
Its harder than it looks.
Its harder than it looks.
Labels:
Applied Timing for Animation,
CGI,
Maya
Friday, 27 January 2012
The Cat in the Hat Knows a Lot About That
From Treehouse Entertrainment and Random House Publishing, its the Cat in the Hat!
As I've outlined in a previous post, we've been looking at the children's stories and illustrations of Dr.Seuss and the animations that draw from them.
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| 'Fox in Socks', Dr.Seuss |
Dr.Seuss' illustrative style is very interesting. He adapts common shapes that children would likely recognise, and makes them into stylized characters. For example, The Cat in the Hat as seen above is essentially a long-neck bottle (like a champagne bottle) with limbs and a head. Similarly, the Fox in Socks consists of two bean-shapes, a circle and some triangles. These very simple designs make for recognisable characters that children (and myself x3) can appreciate.
I find it important to note that while the characters are simple, Seuss has not exchanged style for simplicity. Indeed, the characters are distinctly stylised and its easy to distinguish a Seussian fox from Chaffinian fox, a Seussian elephant from Dumbo and a Seussian Who from a Doctor Who. I think it's because of this that cartoons featuring Dr. Seuss' characters emulate his style. It's part of the character's recognisability.
In the cartoon features 'How the Grinch Stole Christmas' (1966) and 'Horton Hears a Who' (1970), directors and designers (notably Chuck Jones and Maurice Noble) worked with Theodore 'Seuss' Geist to keep the stylisation in tact, as you can see in these screengrabs.
You may notice that even in animated form, these characters retain their simplistic shapes. The Grinch has a rounded-off rectangle shape, while Jane Kangaroo has a body like a water balloon.
The animated versions of Dr.Seuss' characters seem to have richer, more saturated colours, too. This would make them more appealing to children, as bright colours are eye-catching and attention-grabbing. A prime example of this is 'The Cat in the Hat Knows a Lot About That'.
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